Wednesday, November 10, 2021

Skater's Greetings

I downloaded The Skater by Gilbert Stuart courtesy National Gallery of Art, Washington. As I mentioned in my last post, I love it that so many museums now have Open Access collections!

The Skater amused me and led to a bit of reading about the history of ice skating. Check out The Ice-Skating Dandies of 18th-Century Paris by Lauren Young on the Atlas Obscura website or The History Of Ice Skates by Johanna Mayer on the Science Friday website.

It also inspired me to make something with the image. I experimented with cropping the painting to make bookmarks (and I may yet finish that project later), but ultimately I felt compelled to design greeting card around it.

If you want to send a message with all the panache of an 18th century ice skater, you can purchase a printable PDF on my Etsy store, HannahRoseTruett.etsy.com

A man in a black suit, arms crossed on his chest, skating on a lake. Below that, the word "Greetings" in white letters outlined in black. All that is framed it in a kaleidoscopic collage of holly boughs. The colors are muted greens and light reds.


Monday, November 08, 2021

Exploring Open Access Collections: The Skater by Gilbert Stuart

A few years ago I learned about the Rijksmuseum inviting creative people to download images from their collection to do creative things.

Now I find many museums with Open Access collections and I rejoice.


Today I will share a portrait that fascinates me: The Skater (portrait of Sir William Grant) by Gilbert Stuart. The portrait is from 1782 and is done in oil on canvas. The image is available for download courtesy of the National Gallery of Art, Washington here:

https://www.nga.gov/collection/art-object-page.39729.html


Portrait of William Grant in a black suit, arms crossed, ice-skating

Just look at that stern, focused face, those standoffish crossed arms and the incongruous grace and whimsy of the shapely legs on skates. I'm comforted to learn that the action pose was as unexpected to audiences of the time as it was for me. Good job Gilbert Stuart!


Next time I'll show you what I made from the picture after I downloaded it.

Monday, September 13, 2021

Still-life #2: Clementine in Pieces (Gouache)

Moving into 2-color gouache paintings, I used a bad-tasting clementine for my subject.

Clementine in Pieces, 5.5 by 8.5 inches (14 by 21.6 cm), gouache on paper

I found the translucent segments to be an interesting challenge to paint. I didn't do as well as I hoped, but I'm glad I tried.

Friday, September 10, 2021

Still-life #1: Origami Paper Crane in Gouache

I started to freeze-up when I decided to paint my first gouache still-life. What would I paint? I was reading Daily Painting by Carol Marine and got overwhelmed with all the ideas. I think I picked the color for the painting before the subject. I decided to limit my palette to greens. While I didn't specifically intend to paint a green object, my little green origami crane jumped out at me as a great subject with its clearly defined facets.

Monochrome green painting of an origami crane seen from the side, facing left. The painting is signed with the initials H R T
Origami Paper Crane, 5.5 by 8.5 inches (14 by 21.6 cm), gouache on paper


I scanned the finished painting on an old HP printer. Without any post-processing, the contrast in the scan looked better than how the painting looks under the light at my desk!

Wednesday, September 08, 2021

Dipping My Toes in Gouache...But Not Literally

I've started using gouache! My first experiments have been using Artist's Loft gouache on Canson mixed media paper. I tried to follow along with the first 2 gouache tutorial videos by Myriam Tillson.
(Link to Myriam Tillson's complete art tutorials playlist on YouTube) I didn't quite match the tutorial, but it gave me a feel for the paint.

Page of painting exercises in red and blue. The edges of the page have kraft-paper-colored tape residue. Page with 4 horizontal stripes blending between red and blue.

I also learned that the tape I was using to hold down the paper was doing more harm than good. I can work with the paper on a plastic clipboard without it buckling too badly. If I decide to use tape again I will need a new type of tape and/or a new way to remove it since it insisted on either tearing the paper or leaving most of itself behind!


 

Monday, September 06, 2021

Distorted Portrait Studies

I started taking weird snapshots a couple of years ago. I would take the pictures from above, letting foreshortening distort faces. Now I've started sketching from those photos.

For this first one, I selected out 3 colored pencils from my bag at random. Peach, orange and violet were an easy set to color with. I sketched in some of the fine, dark shadows with a Pigma Micron pen and I blocked in the background with a purple Tombow marker to make it pop.

Distorted portrait study, 5.5 by 8.5 inches (14 by 21.6 cm), mixed-media on paper

Later that evening, I turned the page and drew another in graphite while watching shows with my family. The marker shows through in places, making for an interesting contamination.

Distorted portrait study, 5.5 by 8.5 inches (14 by 21.6 cm), graphite on paper

The sketchbook I used was too tightly bound for me to get a good scan of the drawings, so I took photos and played with a perspective distortion to square-up the pages. This distorted the drawings even more than the odd photos did. Overall I was encouraged by these studies and I'm planning to explore these ideas further.


Friday, September 03, 2021

Catching-up With Salvaged Papercrafts

I could call this "catching up after not posting for months" or I could look on the bright side and say I have enough of a backlog of subjects to post about to last for quite some time to come.

In January and February of this year (2021) I participated in the ART.HAPPENS virtual art show 

My entry was a collection of projects using papers that were on their way to the recycle bin. I call it Salvaged Papercrafts

Background has pleated paper star on top of 2 paste-paper covered books with beaded spines. Foreground has a variety of modular origami polyhedra and some scattered, rolled paper beads.


Monday, November 30, 2020

Adventures in 3D Modeling Cubes

3D rendering of a stack of 3 boxes. The surfaces of the boxes are wrapped in photographic images: close-up views of blue & brown, scallop-shaped fungus growing from fallen tree branches with dry, brown leaves around them. The image is signed "Hannah Rose Truett"


I've been practicing UV mapping in Blender. I worked through some 3D animation tutorials about a decade ago, and then hardly touched the program since. I wanted to make 3D models to preview how boxes I'm designing will look when printed and assembled. It's been useful: I was surprised at how much worse the boxes look when I make the cube's net cross-shaped than when I made it T-shaped. (Note: I was very happy to learn the term "net" for when you unfold a polyhedron.)

Once I understood how to slice the model and arrange the nodes for the UV map, I wanted to get pretty pictures documenting the designs. That's where I hit a brick wall. I didn't understand how lighting works in Blender. After a lot of confusion, I found Wikibooks' Blender 3D: Noob to Pro, which has been a great help when other sources talk about what I can do, but skip a lot of steps in how to do it.

So, I had my textured model and my lights. I was ready to render, right? No, it turns out I didn't have the material set properly on my cubes, so they just rendered as a flat color. A sad, flat color.

I found out what I'd done wrong pretty easily (I was far from the first to make that mistake!), but fixing it proved vexing. I thought I had everything set up like the guides said, but it still didn't work. All I can figure is I must have been clicking around and toggled a setting that kept the other settings from working properly. Since I couldn't find where I'd gone wrong, I went back to square cube one: a new file. Redoing the UV mapping was quick and easy, now that I understand how it works. I carefully followed the instructions for setting up a new material and then roughed in the lighting to test it: BINGO! I had beautifully skinned boxes.

I've learned a lot today. Next I want to re-learn how to do simple animations.

Sunday, October 04, 2020

Intergalactic Space Ferrets

I'm doing another #Botober drawing prompt for Artober. This prompt, "Intergalactic space ferrets," is from the Things list.

I made an effort to relax with this drawing and I enjoyed my quick ferret sketches. I made the background in GIMP and digitally collaged them together.

Pen and ink ferret drawings on a digital art outer-space background


Saturday, October 03, 2020

The Bot Said Y

Artober day 3: I turned to Janelle Shane's #Botober prompts for inspiration. Today's prompt from the Concepts list is Y. This is my drawing:

The letter Y in fingerspelling, Morse code, Unicode, majuscule and miniscule characters


Friday, October 02, 2020

Personifying a Peroxisome

I love cell biology. I'm fond of lysosomes, ribosomes and the endoplasmic reticulum. Earlier this year, after reading an article about peroxisomes, I imagined a roguish character equipped with a large variety of vials containing powerful potions (representing the diverse array of enzymes peroxisomes can contain).

For my second Artober drawing of 2020, I present Peroxisome:

Drawing of a person taking a vial of liquid from inside their coat


Thursday, October 01, 2020

Foxy Start to Artober

For the first day of Artober 2020 I decided to draw a character for a multimedia project I'm dreaming up. This foxy fellow is holding a cue stick and looking fine.

Drawing of a fox person holding a cue stick




Sunday, August 09, 2020

Rain Deer 01

I have long had notes on a series of strange deer I want to draw. Here is one I created while experimenting with Rebelle 3. Please welcome Rain Deer 01 to the world:

Digital painting of a woman with a doe's head standing under a rainbow-hued umbrella

Sunday, May 17, 2020

Fruit Challenge Character 01

When I saw Sea Lemon's 30 Day Art Challenge: Fruit, I thought I might take inspiration from it and combine it with my desire to practice drawing characters. I drew a character and then did the coloring based on the fruit list. Here's my first drawing for this series:
Line drawing of a bearded man wearing a tunic and an improbably billowing cloak. The man is holding a sword in each hand, one sword held down at an angle, the other sword pointing menacingly off the picture
And here is the drawing, digitally colored as per watermelons:
Drawing of a bearded man wearing a green-on-green striped tunic and an improbably billowing red cloak. The man is holding a sword in each hand, one sword held down at an angle, the other sword pointing menacingly off the picture
I'm not holding myself to finishing the challenge, since I started this drawing on May 2nd and only just colored it today!

Wednesday, March 25, 2020

Zinger and Hornet Illustration

Zinger (you know who you are!) challenged me to draw a hornet standing on a "zinger." I accepted the challenge, although I had to look up what a zinger was first! It's an in-joke, but I hope others will like it, too.

drawing of a giant hornet standing on a cream filled snack cake
Inked with Sakura Pigma Micron pens, colored digitally

Wherever you are in the world and whoever you are, I hope you and your loved ones stay safe!

Tuesday, March 10, 2020

Athlete with Mattock 001

While I was riding in a car, I thought I saw a woman in athletic-wear holding a mattock. This is my interpretation of the sight, finished in different ways.
line drawing of a woman in athletic-wear holding a mattock
drawing of a woman in athletic-wear holding a mattock
drawing of a woman in athletic-wear holding a mattock, backlit
drawing of a woman in athletic-wear holding a mattock, backlit
drawing of a woman in athletic-wear holding a mattock, shaded

Wednesday, February 19, 2020

Digital Paintings 004 & 005

004 is another practice landscape. This one was inspired by Bob Ross - Ebony Sunset (Season 1 Episode 3)

Digitally painted landscape 005 is not based on a tutorial. For this one, I challenged myself to work from a random prompt. I generated this prompt from Random Landscape Generator
You stand in a hilly region smattered with broken dark stones. It's also replete with huge shrubs.  You can see a bog on the horizon and a monastery in the distance.  The temperature is warm and the sky is partially cloudy.

Tuesday, February 18, 2020

Digital Painting 003

Another practice piece, reinterpreting a Bob Ross tutorial digitally. Here is what I made inspired by Bob Ross - Mt. McKinley (Season 1 Episode 2)

Thursday, February 13, 2020

Digital Painting 002

I decided to practice digital painting by interpreting another Bob Ross tutorial digitally. Here is what I made with Bob Ross - A Walk in the Woods (Season 1 Episode 1)

Wednesday, February 12, 2020

Digital Painting 001

I recently watched some videos of people following Bob Ross tutorials. Some of the artists in the videos tried to follow the oil painting tutorials digitally. I watched them struggle. Maybe it was all for show (having trouble makes for a more dramatic video), but I found myself thinking of ways to do it better.

I opened GIMP and plugged in the Wacom Bamboo tablet I'm borrowing from my mom. This is what I created following the video Bob Ross - Meadow Lake (Season 2 Episode 1)


This worked better than I hoped and makes me think I can do better. Now I want to practice more digital paintings of imaginary places.